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© 1999 by Gary Priester. All Rights Reserved.
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Get this entire logo tutorial in a printable PDF file! Just click the button at right to get your copy today! It includes the instructions on how each of the eight logos was created. |
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I hope you all had a most happy holiday and thoroughly enjoyed the last New Years eve of the 20th century. My Christmas present to myself was a Dell XPS 450 with which I'm most happy. But then I said that two years ago when I rewarded myself with a new Gateway Pentium Pro 200.
Let's assume for a moment (remembering, of course, what they drummed into my head in the Army that assume makes an ass out of u and me), that you have profited from the previous articles on logo design and have now the perfect logo for the next millennium. That, in my opinion, was the easy part. Now begins the hard part, how to arrange the type and logo on your business card in a manner that is both effective and visually attractive.
I'd like to say that there is a magic formula for this, but there is not. Furthermore, every logo seems to suggest a different placement, and wants to be complimented with a different font. And even though I have certain favorite arrangements that I like to begin with, I inevitably wind up with something completely different that what I originally had in mind. Hence the title of this article. I go though a quite bit of trial and error before I'm satisfied with the final layout. I'll share some of this process with you today and let you see how one thing leads to another until finally you will know it's done (or run out of time and patience and say to heck with it!)
For this article, we'll use a simple extruded F logo for a fictitious company called The Firebrick Group. I had intended to call the company The Frederick Group, but Corel's spell check questioned the spelling and offered Firebrick as perhaps the word I meant to use, and I accepted the advice. The font I've used throughout is called Benguiat Gothic (pronounced Ben-gay gaw-thick) and is available on the Corel CD in the fonts folder. I like this font because it has a light and airy appearance and is easy to read. But enough small talk, we have work to do so let's get to it.
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Part I -- Logos and Business Cards
Part II -- Adding Pizzazz
Part III -- Joined at the Hip
Part IV -- Going Around In Circles
Part V -- A Bit(map) Part
Part VI -- Fashion Accessories
Part VII -- On Demand Printing
Part VIII -- Trial and Error
Part IX -- 3D Logos-Rising to the Occasion
Part X -- A Masthead for the Xealot
Part XI -- Preview of DRAW 9-More Great Tools for Creating Logos!
Part XII -- Preview of DRAW 9-More Great Tools for Creating Logos! Part II
Part XIII -- A Superior Blend
Part XIV -- Opposites Attract
Part XV -- Make the Hard Ones Look EZ
Part XVI -- A Breath of Fresh Airia
Part XVII -- Going Around in Circles
Part XVIII -- Why 2 K?
Part XIX -- The Readers (That's All of You) Have Spoken!!!
Part III: Creating A Simple Image Map in Illustrator, CorelDRAW and FreeHand
Part II: Creating A Double Emboss in Illustrator, CorelDRAW and FreeHand
Part I: Creating Cut Out Shapes in Illustrator, CorelDRAW and Freehand
Son of Maven #9 - Getting From Point A to Point I
Son of Maven #8 - The Ultimo Logo Makeover
Son of Maven #7 - Going to the Movies
Son of Maven #6 - Seeing the Forest and the Trees |
Son of Maven #5 - Cooking Up a Tasty Logo Makeover! |
Son of Maven #4 - Game Plan for a Winning Logo Design! |
Son of Maven #3 - Great Shakes! |
Son of Maven #2 - A Mountain of Possibilities |
Son of Maven #1 - The Handwriting is in the Computer
Read more articles by Gary Priester along with a short bio.
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