Oprah's Book Club Selections for 1997

Oprah Book Club® Selection, December 1997: The first three books in Bill Cosby's Little Bill series, which fall somewhere between Fat Albert and Fatherhood in sensibility, are designed to help kids cope with tough social situations. In The Meanest Thing to Say Little Bill must figure out how to avoid the challenge offered by the new kid in his class, "The Dozens," a duel of insults Bill doesn't want to join. With his family's help (which is free of preaching), Bill finds a solution.

Dr. Alvin F. Poussant, a frequent Cosby collaborator and advisor, adds a useful introduction to explain why Little Bill not only beats the game, but also goes on to befriend its instigator. (The publisher recommends the book for ages 4-8, but because the author is Bill Cosby, kids up to age 10 would probably accept the counsel offered by this volume and others in the series.)

Oprah Book Club® Selection, December 1997: Well-loved comedian Bill Cosby encourages kids to get creative in this simple story of how your own imagination can take you farther into outer space--and help you chase more aliens--than any TV show or video game ever could. In The Best Way to Play--one of Cosby's three Little Bill books for emerging readers--Little Bill tells his story from a friendly, first-person point of view, starting Saturday morning, when "All of the grown-ups were busy doing grown-up things."

He and the neighborhood kids are watching TV when they see an ad for a Space Explorers video game that instantly infuses desperate longing into their alien-catching little hearts. When Little Bill's friend Andrew gets a copy, everyone is thrilled. However, after quickly catching 100 aliens and getting perfect scores, the kids are bored with the game. They head for their trusty vacant lot where they chase an alien that looks like a cat and proceed to fly all the way to the moon! (Or at least they pretend to.) When Little Bill confesses to his mom that it was more fun to play outside than with the game, she says, "I'm glad. Now go to sleep. Space Explorers need their rest." While the engaging, upbeat story itself escapes heavy-handedness, the message is clear, clear, clear. Varnette P. Honeywood's flat, boldly colorful illustrations are full of life and expression, and early readers will welcome the spacious format, with large type and only a few short sentences on every page. (Ages 5 to 8)

Oprah Book Club® Selection, December 1997: Little Bill discovers that some of the best treasure cannot be bought or collected. At home on a windy and rainy day, Little Bill is bored. His father has jazz records to listen to, and his brother has a great baseball card collection. Bill wants something special, too--something that he can call his own. But what does he have? His great-grandmother comes to his rescue. She gets Bill to tell her a story, and she laughs and laughs at the tale he tells. Little Bill realizes that he has something special after all: the ability to tell a good story and make people laugh.

Bill Cosby's Little Bill books are engaging and uplifting, entertaining and, at the same time, educational. Each story highlights a certain problem and encourages the use of imagination and creativity to find solutions.

Oprah Book Club® Selection, October 1997: Kaye Gibbons is a writer who brings a short story sensibility to her novels. Rather than take advantage of the novel's longer form to paint her visions in broad, sweeping strokes, Gibbons prefers to concentrate on just one corner of the canvas and only a few colors to produce her small masterpieces. In Gibbons's case, her canvas is the American South and her colors are all the shades of gray.

In Ellen Foster, the title character is an 11-year-old orphan who refers to herself as "old Ellen," an appellation that is disturbingly apt. Ellen is an old woman in a child's body; her frail, unhappy mother dies, her abusive father alternately neglects her and makes advances on her, and she is shuttled from one uncaring relative's home to another before she finally takes matters into her own hands and finds herself a place to belong. There is something almost Dickensian about Ellen's tribulations; like Oliver Twist, David Copperfield or a host of other literary child heroes, Ellen is at the mercy of predatory adults, with only her own wit and courage--and the occasional kindness of others--to help her through. That she does, in fact, survive her childhood and even rise above it is the book's bittersweet victory.

"When I was little I would think of ways to kill my daddy. I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

Oprah Book Club® Selection, October 1997: Gibbons's novel, A Virtuous Woman, takes place in the same hardscrabble part of the world as Ellen Foster. The virtuous woman is Ruby Pitt Woodrow, a woman who might have ended up like Ellen Foster's mother if fate, in the shape of Jack Stokes, hadn't crossed her path. The daughter of prosperous farmers, Ruby runs off with a migrant worker who treats her badly, then abandons her far from home. When she meets Jack, a man 20 years her senior, she's working as a cleaning woman in another prosperous farmer's house. Jack is a man women don't look at even once, let alone twice; Ruby is a woman who needs someone to take care of her. Out of this unlikely union grows a quiet kind of love that is no less powerful for being unstated.

Ellen Foster and A Virtuous Woman share more than just location and a few characters in common. Though each is a complete novel in and of itself, taken together the two books resonate one another: Ellen Foster and Ruby Pitt Woodrow are both damaged people who find the kind of love they need to heal. These multilayered novels are tough-minded and resolutely unsentimental, just like their protagonists. Yet like Ellen and Ruby, each contains a nut of sweetness at its core that takes the bitter edge off the hard lives and hard stories Kaye Gibbons has to tell.

When Blinking Jack Stokes met Ruby Pitt Woodrow, she was twenty and he was forty. She was the carefully raised daughter of Carolina gentry and he was a skinny tenant farmer who had never owned anything in his life. She was newly widowed after a disastrous marriage to a brutal drifter. He had never asked a woman to do more than help him hitch a mule. They didn't fall in love so much as they simply found each other and held on for dear life.

Kaye Gibbons's first novel, Ellen Foster, won the Sue Kaufman Prize for First Fiction from the American Academy and Institute of Arts and Letters and the praise of writers from Walker Percy to Eudora Welty. In A Virtuous Woman, Gibbons transcends her early promise, creating a multilayered and indelibly convincing portrait of two seemingly ill-matched people who somehow miraculously make a marriage.

Oprah Book Club® Selection, September 1997: In a small Cajun community in 1940s Louisiana, a young black man is about to go to the electric chair for murder. A white shopkeeper had died during a robbery gone bad; though the young man on trial had not been armed and had not pulled the trigger, in that time and place, there could be no doubt of the verdict or the penalty.

"I was not there, yet I was there. No, I did not go to the trial, I did not hear the verdict, because I knew all the time what it would be..." So begins Grant Wiggins, the narrator of Ernest J. Gaines's powerful exploration of race, injustice, and resistance, A Lesson Before Dying. If young Jefferson, the accused, is confined by the law to an iron-barred cell, Grant Wiggins is no less a prisoner of social convention. University educated, Grant has returned to the tiny plantation town of his youth, where the only job available to him is teaching in the small plantation church school. More than 75 years after the close of the Civil War, antebellum attitudes still prevail: African Americans go to the kitchen door when visiting whites and the two races are rigidly separated by custom and by law. Grant, trapped in a career he doesn't enjoy, eaten up by resentment at his station in life, and angered by the injustice he sees all around him, dreams of taking his girlfriend Vivian and leaving Louisiana forever. But when Jefferson is convicted and sentenced to die, his grandmother, Miss Emma, begs Grant for one last favor: to teach her grandson to die like a man.

As Grant struggles to impart a sense of pride to Jefferson before he must face his death, he learns an important lesson as well: heroism is not always expressed through action--sometimes the simple act of resisting the inevitable is enough. Populated by strong, unforgettable characters, Ernest J. Gaines's A Lesson Before Dying offers a lesson for a lifetime.

A Lesson Before Dying, is set in a small Cajun community in the late 1940s.  Jefferson, a young black man, is an unwitting party to a liquor store shoot out in which three men are killed; the only survivor, he is convicted of murder and sentenced to death.  Grant Wiggins, who left his hometown for the university, has returned to the plantation school to teach.  As he struggles with his decision whether to stay or escape to another state, his aunt and Jefferson's godmother persuade him to visit Jefferson in his cell and impart his learning and his pride to Jefferson before his death.  In the end, the two men forge a bond as they both come to understand the simple heroism of resisting—and defying—the expected.

Ernest J. Gaines brings to this novel the same rich sense of place, the same deep understanding of the human psyche, and the same compassion for a people and their struggle that have unformed his previous, highly praised works of fiction.

A novel set in a small town in Vermont in 1960 offers the story of Marie Fermoyle, a lonely and vulnerable divorce+a7e, her three children, and dangerous con-man Omar Duvall. By the author of A Dangerous Woman

Oprah Book Club® Selection, June 1997: A dark secret lies at the heart of Mary McGarry Morris's extraordinary novel, Songs in Ordinary Time. Rooted in the delicate web of emotions, lies, and truths that bind people together, the story takes place in the primarily Catholic town of Atkinson, Vermont, during the summer of 1960. Here Marie Fermoyle struggles to raise her three children. She already has two strikes against her: she married above her station and now is divorced from her alcoholic husband, Sam. That he is the town drunk and a laughingstock only further marks the Fermoyles.

Enter Omar Duvall, a confidence man. He comes to the door asking for bread and sees an opportunity. Soon he has insinuated himself into the Fermoyle family, promising Marie companionship, love, a willing pair of shoulders to share her burden. Twelve-year-old Benjy knows something terrible about Duvall, but, desperate for anything that will make his mother happy, he hides the truth. This silence gives Duvall time to bring Marie to the brink of financial disaster and lead her sons into mortal danger.

Songs in Ordinary Time includes a chorus of other Atkinson inhabitants: town cop Sonny Stoner and his dying wife; insurance salesman Bob Haddad, so enthralled with his beautiful wife that he's willing to steal for her; and Father Gannon, the young priest with whom Marie's daughter Alice becomes involved; and the Klubock family next door, who epitomize all that is normal to young Benjy. With these lives threaded through her bittersweet tale of the Fermoyles, Morris strikes all the notes of loneliness, hope, and familial love.

Oprah Book Club® Selection, May 1997: Maya Angelou has had more lives than the proverbial cat, and in The Heart of a Woman she continues the account of her remarkable life begun in I Know Why the Caged Bird Sings. In the first book of her bestselling autobiographical series, she describes her traumatic childhood in the small, segregated town of Stamps, Arkansas, during the 1930s. Gather Together in My Name picks up the story in the postwar years, when Maya, a single teenager with an infant son becomes, in short order, a cook, a madam, a dancer, and a prostitute. Next comes Singin' and Swingin' and Gettin' Merry Like Christmas, an account of her twenties and her unsuccessful first marriage to a white man. The Heart of a Woman, the fourth in the series, takes us through one of the most exciting and formative periods of Angelou's amazing life: her beginnings as a writer and an activist in New York.

Angelou has a happy knack of attracting the best and the brightest into her orbit, and The Heart of a Woman offers a veritable cornucopia of black luminaries in its pages. Singer Billie Holiday, writers John Ellins and Paule Marshall, jazz musicians Max Roach and Abbey Lincoln, and actors Godfrey Cambridge and James Earl Jones--Maya meets and learns from them all. Political activism soon follows as Ms. Angelou first organizes a theatrical benefit for the Reverend Martin Luther King and then becomes the director of the New York Southern Christian Leadership Conference office. Her involvement in the civil rights movement eventually brings her into contact with African freedom fighters Oliver Tambo and the charming Vusumzi Make, whom she marries and follows to Africa.

The Heart of a Woman is as honest, painful, funny, outraged, and outrageous as Angelou herself. From her debut at the Apollo Theatre to her meeting with Malcolm X, Maya Angelou gives us something to cheer about and plenty to ponder as well.

This engaging book chronicles the changes in Maya Angelou's life as she enters the hub of activity that is New York.  There, at the Harlem Writers Guild, she
rededicates herself to writing, and finds love at an unexpected moment. Reflecting on her many roles--from northern coordinator of Martin Luther King's history-making quest to mother of a rebellious teenage son--Angelou eloquently speaks to an awareness of the heart within us all.

A teenage Christian girl "... learns to make her peace with the world and with God."

Oprah Book Club® Selection, April 1997: Members of the Church of Fire and Brimstone and God's Almighty Baptizing Wind spend their days and nights serving the Lord and waiting for the Rapture--that moment just before the Second Coming of Christ when the saved will be lifted bodily to heaven and the damned will be left behind to face the thousand years of tribulation on earth. The tribulation, according to Grandpa Herman, founder of Fire and Brimstone, will be an ugly time: "He said that we'd run out of food. That big bugs would chase us around and sting us with their tails . . . He said we'd turn on the faucet in the bathroom and find only blood running out . . . He said evil multitudes would come unto us and cut off our limbs, and that we wouldn't die . . . And then he'd say, 'But you don't have to be left behind. You can go straight to Heaven with all of God's special children if you'll only open your hearts to Jesus . . .'"

Such talk of damnation weighs heavy on the mind of Ninah Huff, the 15-year-old narrator of Sheri Reynolds's second novel, The Rapture of Canaan. To distract her from sinful thoughts about her prayer partner James, Ninah puts pecan shells in her shoes and nettles in her bed. But concentrating on the Passion of Jesus cannot, in the end, deter Ninah and James from their passion for each other, and the consequences prove both tragic and transforming for the entire community.

The Rapture of Canaan is a book about miracles, and in writing it, Reynolds has performed something of a miracle herself. Although the church's beliefs and practices may seem extreme (sleeping in an open grave, mortifying the flesh with barbed wire), its members are complex and profoundly sympathetic as they wrestle with the contradictions of Fire and Brimstone's theology, the temptations of the outside world, and the frailties of the human heart.

Oprah Book Club® Selection, February 1997: Ursula Hegi's Stones from the River clamors for comparisons to Gunter Grass's The Tin Drum; her protagonist Trudi Montag--like the unforgettable Oskar Mazerath--is a dwarf living in Germany during the two World Wars. To its credit, Stones does not wilt from the comparison. Hegi's book has a distinctive, appealing flavor of its own. Stone's characters are off-center enough to hold your attention despite the inevitable dominance of the setting: There's Trudi's mother, who slowly goes insane living in an "earth nest" beneath the family house; Trudi's best friend Georg, whose parents dress him as the girl they always wanted; and, of course, Trudi herself, whose condition dooms her to long for an impossible normalcy. Futhermore, the reader's inevitable sympathy for Trudi, the dwarf, heightens the true grotesqueness of Nazi Germany. Stones from the River is a nightmare journey with an unforgettable guide.

Epic, daring & magnificent!

Oprah Book Club® Selection, January 1997: "Mine is a story of craving; an unreliable account of lusts and troubles that began, somehow, in 1956 on the day our free television was delivered." So begins the story of Dolores Price, the unconventional heroine of Wally Lamb's She's Come Undone. Dolores is a class-A emotional basket case, and why shouldn't she be? She's suffered almost every abuse and familial travesty that exists: Her father is a violent, philandering liar; her mother has the mental and emotional consistency of Jell-O; and the men in her life are probably the gender's most loathsome creatures. But Dolores is no quitter; she battles her woes with a sense of self-indulgence and gluttony rivaled only by Henry VIII. Hers is a dysfunctional Wonder Years, where growing up in the golden era was anything but ideal. While most kids her age were dealing with the monumental importance of the latest Beatles single and how college turned an older sibling into a long-haired hippie, Dolores was grappling with such issues as divorce, rape, and mental illness. Whether you're disgusted by her antics or moved by her pathetic ploys, you'll be drawn into Dolores's warped, hilarious, Mallomar-munching world.

"Mine is a story of craving: an unreliable account of lusts and troubles that began, somehow, in 1956 on the day our free television was delivered...."

Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallmomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly up.

In this extraordinary coming-of-age odyssey, Wally Lamb invites us to hitch a wild ride on a journey of love, pain, and renewal with the most heartbreakingly comical heroine to come along in years. At once a fragile girl and a hard-edged cynic, so tough to love yet so inimitably lovable, Dolores is as poignantly real as our own imperfections. She's Come Undone includes a promise: you will never forget Dolores Price.